| Logged in as: - | ||||||||||||||||||||||
 | ||||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
|
|
|
||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
 |
Shocking Pinks: Mathematical Warfare | |
|||||||
|
|||||||||
|
|
The follow up to Dance The Dance Electric, about which Pitchfork Media said "simultaneously one of the most tragically hip and irreverently unaffiliated records of the year" and was given an 8.2 rating out of 10 by the abnormally harsh US music/media website. Mathematical Warfare was recorded entirely by Nick Harte and his engineer Mark in a Christchurch studio called '191' and is a positive and distinct move away from the electro sound of the last album. Nick tells us "...the new album is consistently about love songs and it's hard to compare the sound to anything else, but it's definitely more poppy. I guess because it's me completely solo I just went way over the top." 1. The Thirteen 2. Emily 3. 18 4. Girls 5. Secrets 6. Broken Lens 7. Alice 8. Victims 9. Knife-fight 10. Blonde-haired Girl 11. I Want Ice Tornado 12. Cutout 13. Roquaril 14. Lucy 15. I Want U Back 16. Already Dead 17. Limehouse Nights |
|
||||||
 |